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Mark Kozelek Albums From Worst To Best

Posted on Jun 12th, 2012 Tweet 25 Comments

5 of 14       
10. Red House Painters - Old Ramon (2001): The last Red House Painters album sounds absolutely nothing like the first. Old Ramon famously sat in limbo for three years while Kozelek wrangled out of his deal with Island/Supreme Records; he bought it back and eventually released it on Sub Pop. Old Ramon is a weary-soundng album, and considering the crossroads at which Kozelek found himself, that weariness isn't surprising: He'd been dropped by his longtime home (4AD) after 1995's Ocean Beach, and his major-label debut, 1996's Songs For A Blue Guitar, was a commercial nonentity whose promotion was badly mangled by filmmaker John Hughes' vanity imprint, Supreme Records. Touring with the Painters was unrewarding and stressful -- as he admitted in a recent interview, "I’ll never forget some of those drives in the early days, like Seattle to Minneapolis, bottles of piss rolling around in the van. I’ve never been a hangin' with the pack kind of guy, so I was always a loner out there, even with the band." The Painters do their best to make that weariness sound warm and inviting, but the subsequent split seems inevitable in retrospect.
10. Red House Painters - Old Ramon (2001): The last Red House Painters album sounds absolutely nothing like the first. Old Ramon famously sat in limbo for three years while Kozelek wrangled out of his deal with Island/Supreme Records; he bought it back and eventually released it on Sub Pop. Old Ramon is a weary-soundng album, and considering the crossroads at which Kozelek found himself, that weariness isn't surprising: He'd been dropped by his longtime home (4AD) after 1995's Ocean Beach, and his major-label debut, 1996's Songs For A Blue Guitar, was a commercial nonentity whose promotion was badly mangled by filmmaker John Hughes' vanity imprint, Supreme Records. Touring with the Painters was unrewarding and stressful -- as he admitted in a recent interview, "I’ll never forget some of those drives in the early days, like Seattle to Minneapolis, bottles of piss rolling around in the van. I’ve never been a hangin' with the pack kind of guy, so I was always a loner out there, even with the band." The Painters do their best to make that weariness sound warm and inviting, but the subsequent split seems inevitable in retrospect. 
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