
This week we heard new tunes from Bat For Lashes, the Mountain Goats, Crystal Castles, Tame Impala, and A$AP Rocky. Boy George covered Lana Del Rey, and Lana Del Rey covered Nirvana. We dropped our July Monthly Mix, ranked Ryan Adams’ discography, prematurely evaluated Rick Ross’ new one, and collected the 40 Coolest NSFW Album Covers. Busy week! Let’s see what you all had to say about it in this installment of Shut Up, Dude…
THIS WEEK’S 10 HIGHEST RATED COMMENTS
| #10 | Michael_ | Jul 20th | Score:11 | |
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This week had some cool moments, but it was tough to beat last week. Can we talk about Michael Angelakos and Larry Fitzmaurice’s great feature on him at Pitchfork? It’s been a very brave year for musicians on all levels, and I felt that great piece kept the streak going. Also, I loved the entire format of that feature altogether — The scrolling magazine look, which I kind of think served as the final death knell to print publication. And speaking of which, I read that Stereogum’s wealthy parents BuzzMedia have purchased SPIN and are planning to expand its online content. Word on the Internet is that they have no plans to keep the print edition going. What does Weingarten think of all this, as he’s helped resuscitate the quality of SPIN in the past several months, and further more, where does that put Stereogum, considering both it and SPIN have evolved into the same sort of indie / alternative pop culture well-known sources for news, features, Top (whatever) lists, streams, interviews, etc.? I’m aware BuzzMedia owns Gorilla vs. Bear, BrooklynVegan and other music sites, but things just got a bit blurry at the top of the food chain. Ariel Pink’s Haunted Graffiti’s Mature Themes is out there. JoJo put out a great sexed up new single this week produced by Noah “40″ Shabib called “Demonstrate,” and it’s a little bit Aaliyah, a little bit The Emancipation of Mimi. Humblebrag, but the guys from Trash Talk and members of Odd Future gave me a virtual pat on the back for that article I wrote last weekend on Frank Ocean, Trash Talk and why not caring is the most hardcore thing to do in 2012. Most successful piece I’ve ever written, and I’m humbled whenever anyone notices my words. Seeing the Gaslight Anthem this weekend as well. |
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| Posted in: Shut Up, Dude: This Week’s Best And Worst Comments | |||
| #9 | rejectedjeffdunhampuppet | Jul 26th | Score:12 | |
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You guys are forgetting my *Nsync CD which my sister drew sharpie dicks all over. |
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| Posted in: The 40 Coolest NSFW Album Covers | |||
| #8 | LeMonjello | Jul 23rd | Score:13 | |
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I imagine most bosses are not interested in the “it’s art” defense. |
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| Posted in: Bat For Lashes – “Laura” Video + NSFW The Haunted Man Cover | |||
| #7 | raptor jesus | Jul 23rd | Score:13 | |
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Well his arms are in the right place but I think his penis needs some help. |
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| Posted in: Bat For Lashes – “Laura” Video + NSFW The Haunted Man Cover | |||
| #6 |
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Sal Nunziato | Jul 26th | Score:14 |
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But really, there only should have been one Beatles song. |
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| Posted in: Rick Rubin Sure Pissed Off Crosby, Stills & Nash | |||
| #5 | plb102 | Jul 20th | Score:14 | |
| Posted in: Shut Up, Dude: This Week’s Best And Worst Comments | |||
| #4 | Elvis vs. Shark | Jul 20th | Score:15 | |
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Future Islands frontman presently has a peninsula. This is the caption contest page, right? |
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| Posted in: Shut Up, Dude: This Week’s Best And Worst Comments | |||
| #3 | Dr. Feelgood | Jul 20th | Score:15 | |
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NEVER! |
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| Posted in: R.E.M. Albums From Worst To Best | |||
| #2 | Dr. Feelgood | Jul 20th | Score:27 | |
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Fables of the Reconstruction was pretty cool. |
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| Posted in: R.E.M. Albums From Worst To Best | |||
| #1 | Michael_ | Jul 23rd | Score:34 | |
| Posted in: Bat For Lashes – “Laura” Video + NSFW The Haunted Man Cover | |||
THIS WEEK’S 5 LOWEST RATED COMMENTS
| #5 | willsband | Jul 20th | Score:-11 | |
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We engaged in a similar exercise on our podcast about a year and a half ago. http://willsband.net/3-26-11-r-e-m-special |
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| Posted in: R.E.M. Albums From Worst To Best | |||
| #4 |
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Kevin Bastian | Jul 26th | Score:-12 |
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Bat for lashes, yuck! Shes got a weird nose. Put on some clothes. |
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| Posted in: The 40 Coolest NSFW Album Covers | |||
| #3 |
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Aaron De La Fuente | Jul 23rd | Score:-13 |
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Feels like a grab at the “‘Video Games’ of 2012″ award. Next. |
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| Posted in: Bat For Lashes – “Laura” Video + NSFW The Haunted Man Cover | |||
| #2 | glazzy | Jul 20th | Score:-13 | |
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I never thought I’d say this but, FIRST! |
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| Posted in: Shut Up, Dude: This Week’s Best And Worst Comments | |||
| #1 |
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Naqiy Rudolph Mcmullen | Jul 25th | Score:-14 |
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I’d call Gossamer bipolar pop rather than deptression pop. And anyone who’d prefer Gaslight’s album over Passion’s is a faggot #realtalk |
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| Posted in: Album Of The Week: The Gaslight Anthem Handwritten | |||
THIS WEEK’S EDITOR’S CHOICE (SCOTT)
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Nick Degel | Jul 26th | Score:5 | |
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That horse is in a world of trouble |
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| Posted in: The Killers – “Runaways” Video | |||
THIS WEEK’S EDITOR’S CHOICE (AMRIT)
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Marcella Raccoon | 12:53am | Score:2 | |
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| Posted in: The 40 Coolest NSFW Album Covers | |||
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Who is Captain Murphy?
Whether it’s Earl or Tyler or FlyLo or a combination of the three, he/they seriously need to put out an album. That solo track is amazing. My generation needs its DOOM.
Pretty sure it’s a different person. I scanned Murph’s twitter and the posts Aren’t Typed Like This So I Think It Isn’t Tyler. Not exactly court worthy evidence but other people have been saying it isn’t Tyler.
I still wish it was this guy (RIP):
Do you want the mustache on or off?
I propose a separate worst comments category for blog (and/or podcast, apparently) self-promotions and “firsts”.
I wonder if people were more likely to downvote the use of “faggot” in a derogatory sense or the use of #realtalk…
Don’t forget misspelling depression
This week, the city of Detroit turned 311. How should I celebrate, you guys?!
A collaboration with Jack White is in order.
Or ICP!
Or both?
Attend a screening of Michael Moore’s Fahrenheit 3/11
Even I draw the line at driving to Flint. Place is awful.
wow 311 years young? detroit’s changed a lot, and then some!
That it has, Donny. We’re holding on in hope, but not holding our breath, that the next change will actually be a positive one.
you know that we have always been down – down with the D.
Always.
Would this be a positive change? I think so.
oops forgot the link http://www.latimes.com/business/money/la-fi-mo-detroit-zombie-park-20120706,0,561181.story
I would be for it, but it’s pretty much been all but scrapped at this point. It’s getting zero support in the city and minimal support in the suburbs. If for some reason they are able to get that thing up and running, it would be a pretty telling statement about the area. Zombie theme park? Yes. But urban farming as a means to re-concentrate the cities population and put the massive acreage of abandoned land to use? No.
haha yeah… I just thought it was a creative idea. But I’d imagine no one would be for it, since it pretty much exploits the hard times Detroit has seen.
It presents a number of liability issues as well. It would also have to become a world-wide attraction to stay profitable because it would lose its novelty with the locals pretty fast.
Wow. Someone came by and DID NOT like this conversation. Oh, Stereogum.
The coolest things this week for me were everything to do with the Gaslight Anthem (seeing them live last Sunday which down as the best show of the year for me as of right now, Handwritten being released and a few reviews that got me to over-think public perception based on brand name) and Title Fight’s new single “Head In the Ceiling Fan” surpassing my alright high expectations.
But about those Gaslight Anthem reviews — This time around, Pitchfork shelved it down way low to the 3rd review spot of the day and gave it a 5-point-something, which is kind of funny when you take into account Pitchfork’s review history with the band. The ’59 Sound got an 8.6 and American Slang got a decent 7.3, which put the band in favor over there. Dig a little deeper, and you find that Stereogum’s own Tom was responsible for that great 8.6 review, and this week, he names it the Album of the Week here on ‘Gum. And so it hits you: What if Tom never grew out of Pitchfork? What if Tom was still there and reviewed Handwritten instead of this Deusner fellow, and could have delivered yet another respectable score for these Jersey boys, thus saving them face with readers who take those scores at face value? Unfortunately, people look at Pitchfork reviews as “Pitchfork” reviews and not the by-line attached, but if they bothered to pay attention, they’d find that the guy who told them that The ’59 Sound four years ago is again telling them the Gaslight Anthem are writing great music.
what about go hard mikey?
i mean, “what about “go hard,” mikey.”
better?
Deusner?? More like Deuche-ner!!! AMIRITE???????????
OOOOOHHHHH YYEEEEAAAAHHHH!!!
Because he’s a DOUCHE!
2 comments about Pitchfork:
1. When reading the Fang Island review, did anyone else think “Ian Fucking Cohen” before they’d even checked who’d written it?
2. Anyone else noticing themes in the reviews? In the both the Aesop Rock and Frank Ocean reviews, written by different people only 2 days apart, the lyrics were compared to Rorschach blots/tests. Also, the Passion Pit and Azealia Banks reviews, both by different writers and released on the same day, began “Here’s an incomplete list of…” and “Here’s a partial list of…” respectively.
lazy pricks.
These reviews are six days apart, but they have two different writers and continue your point:
Fang Island review: “Fang Island initially felt like a single idea perfected, “celebration rock” before Celebration Rock…”
JEFF the Brotherhood: “The fraternal Nashville duo’s seventh album– and debut for Warner Bros.– is their version of celebration rock, if not quite Celebration Rock.”
And so the plot thickens…
Are these Title Fight guys ex-Hum members? That track is incredible, but definitely has a Hum/Autolux vibe to it.
Oh wow I think I was drunk when I posted that comment, it slipped my mind until now. No excuse however, but I believe I was going for a crude attempt at irony since obviously the standard rock tropes of Gaslight typically represent conventional masculinity far more than the extravagant instrumentation and luxurious melodies of Passion Pit normally would. Anyway.. who else is boycotting Chik Fil A because of their hateful views?
Oh wait I went back to the article and saw I was already called out on my horrible attempt at levity. Ignore my addendum. My roommate just came out recently, so I should especially know better than to use such inherently hateful terms and to not hide behind a facade of irony to justify my misguided trolling. But I love Gossamer so much because it speaks to my emotions and musical preferences so well and you know how love makes emotions supercede logic. But sorry Stereogummers, I never meant to hurt you.
nah, u just a dick #realtalk #swag #yolo #realtalk
TOO LATE BRO, YOU’RE WORSE THAN TYLER. Enjoy your waffle fries. YOUR WAFFLE FRIES OF HATE.
you dun goofed. #realtalk
Anyway. I’m A Toilet. #realtalk
As someone who is wont to drink and comment, I forgive you. #realtalk
lol stfu
Hidden due to low comment rating. Click here to see
http://stereogum.com/author/shtoopidshwagg/ I DONE BEN RUBBJOHNED ND I WANN NO IT IS