NY Times Magazine’s Russell Shorto explains how Nonesuch Records became the label for a moment when new music is hard to label.
Related Stories |
|
Leave a Reply
You must be logged in to post, reply to, or rate a comment.
%s1 / %s2
NY Times Magazine’s Russell Shorto explains how Nonesuch Records became the label for a moment when new music is hard to label.
Related Stories |
|
You must be logged in to post, reply to, or rate a comment.
I love Jeff Tweedy, but he looks just like a Neanderthal.
P.S. Don’t tell him I said that…
I love Emmylou Harris, and it breaks my heart that she’s cavorting with Conor Oberst.
Great article, great artists, but Nonesuch is false hope for the industry.
“The fact is, the people in these meetings, the people who run the music business, are in their 30’s, 40’s and 50’s,” he said. “Their job is to make music for kids. But I’m making music for the other people in the room.”
Old people don’t download at the same rate as young people, they haven’t adopted the same computer based tools like young people and are more likely to thing downloading is wrong.
I respect them for taking risks on “uncommercial artists” but the only reason they sell cds is because they make music that is generally for old people who are more likely to buy a cd than younger people.
ah! second guy (standing) on the left is my good friend kate’s dad (bob hurwitz), who owns the label. freaky. in high school she gave me a copy of YHF with a BLUE sleeve, very rare.
um, when yhf came out it was available with the tan sleeve, a white sleeve, and the blue sleeve. none of them were limited edition.
Oh, snap, Jenna! You got served!
Gee, I’m thirty-six years old. I download music all the time. However, I pay for it usually. I applaud these people for making real music. If you have to be “old” to appreciate all kinds of music, not just what is being marketed as “cool”, then I will gladly take the title.
in all honesty, nonesuch is really my favorite label. they historically have had a lot of cutting edge music. they were one of the first to put out field recordings from africa and bali. and now have bill frisell, kronos quartet, michael gordon and a bunch of older stuff that is out of print now unfortuately. i dream of having a contract with them someday. of course, i should probably read the article too. but they are awsome. just for the record.