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February 5, 2009

tUnE-YaRdS/Inlets/Beirut @ Music Hall Of Williamsburg, Brooklyn 2/4/09

Irony at the outset last night. In the middle of her outstanding opening set (more on that later), Tune Yards' Merrill Garbus said, "I play a tenor ukulele. Zach plays a concert ukulele. I guarantee Zach's will sound better because he is a professional." She was right, of course -- Condon's grown into a fearless performer with enough money to afford real instruments. But I couldn't help but think back to his first show, when he probably was not playing a concert ukulele, and spent the night apologizing for its unwillingness to stay in tune. (He was charming at least.) Skip three years to Beirut taking the stage last night for a 20-song stunner. Forget about ukuleles staying in tune; he paused between songs to autograph one for a fan first row. Welcome to your new rubric for artistic growth.

The set was the stripped-down sister to a couple of dates at the Brooklyn Academy of Music this weekend: The Music Hall show featured a stacked bill and Beirut in sextet form, in preparation for some glorious expansion at BAM with the Vassar Orkestar. Not that last night was lacking any glory. Condon was loose, but charmingly direct: "Let's start with an old classic" he said with the right amount of cheek, although the room greeted the set-opening "Nantes" like it was nothing short of gospel. It was that sort of night, a superb, two-encore spin through the Beirut discog (the Zapotec and Holland stuff hit hard), with moments that bled into sheer bacchanalia ("Postcards From Italy," "Scenic World," "A Sunday Smile," the Arcade Fire-popularized Ary Barroso cover of "Brazil," for just a few). It was a party, but also it's a science: The kid knows how to work his way around a waltz and an epically wistful, faded-photo tune, and those melismatic melodies make it easy to feign familiarity if you are drunk, or don't know the songs, or both. Basic math. Awesome set.

Middle opener Inlets sounded good, from what I could hear, although Sebastian's crew unfortunately bore the brunt of a chatty and impatient crowd. No such problems for early opening Tune Yards, though, who really did crush it. TY is essentially Merrill Garbus. As mentioned she works with a tenor uke, and also digital loops, floor toms, and a set of soulful pipes which flip from sultry to soulful, with phrasings rooted in the blues, African tunes, and lo-fi music theatrical expressionism. Her lyrics teeter from self-empowerment to nursery rhymes to new age slush ("You are the pull that is in your chest ... TAP IT!"), leavened with a dramatic flair that could sell lines far slushier. MHOW bought it up. By the end of the set she had six similarly face-painted people with her, harmonizing to her beatboxing, baritone sax echoing her discordant arias, pounding syncopated skins while on stage (and the venue's floor while off it). Her DIY debut Bird-Brains is available digitally for the price of an up-to-you donation at her site, and on vinyl this year on Marriage Records. Hear some at MySpace, she's awesome. Don't miss her at SXSW. Or anywhere.

I took a photo of the Zach's setlist, which he crumpled into a ball by the end of the second encore because they deviated considerably, but here's a rough-guide transcription:

01 "Nantes"
02 "Mount Wroclai"
03 "East Harlem" ("a new/old song," written when Zach was 17. "It feels good to play it again.")
04 "Cherbourg"
05 "Elephant Gun"
06 "The Shrew"
07 "The Concubine"
08 "Postcards From Italy"
09 "La Javanaise" (Serge Gainsbourg Cover)
10 "After The Curtain"
11 "The Akara"
12 "Cozak"
----
13 "Prostitute"
14 "Scenic World"
15 "Gulag Orkestar"

Make sure to check out those photos by Santi Felipe, too. I'll be checking in from one of the sold-out BAM shows this weekend, check for that next week.

Posted at 2:39 PM by amrit in ,
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10 Comments

Deezey

Saw them with the Orkestar Saturday night at Vassar, and there were times that I thought I would literally burst from sheer joy. Those holding tickets for the BAM shows are in for a great night!

Posted by: Deezey profile link at 02/05/09 3:49 PM | Reply
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He did a double encore also! He ended with Brazil. I forget what song he played before but it was a popular one. This is after he went "setlist-less" :).

Posted by: hapworth at 02/05/09 3:53 PM | Reply
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Mandy

he is amazing. i saw him at the MHoW show in May and it was fantastic.

Posted by: Mandy profile link at 02/05/09 4:32 PM | Reply
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Are you sure the lyrics isn't "You have a pool in your chest / Tap it"? That's what I keep hearing.

Posted by: sarahana profile link at 02/05/09 4:36 PM | Reply
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I would kill to see Beirut live.
...I'm serious, if slaying anyone of you means getting front row seats to one of his concerts, you're dead.

Posted by: meANDmy_mONKEY profile link at 02/05/09 4:48 PM | Reply
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I would kill to see Beirut live.
...I'm serious, if slaying anyone of you means getting front row seats to one of his concerts, you're dead.

Posted by: meANDmy_mONKEY profile link at 02/05/09 4:59 PM | Reply
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Also, I'm really diggin the Tune Yards the more i listen to it.

Posted by: meANDmy_mONKEY profile link at 02/05/09 6:42 PM | Reply
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A concert ukulele is a medium-sized ukulele. A tenor ukulele is a large ukulele. The terms are not indicators of an instrument's cost or quality.

Posted by: Jake at 02/05/09 10:18 PM | Reply
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WHy do they have a picture of Jeff Tweedy and then say nothing about Wilco?

Posted by: Sammy Sosa at 02/06/09 12:49 AM | Reply
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Beirut hates Europe.

Posted by: Pablo at 02/06/09 6:48 AM | Reply
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