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Elvis vs. Shark
Website:
http://www.goop.com/
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Comments
Big fun summer songs like this tend to work better when they have, you know, actual choruses. Blaaargh. I don’t like it when artists waste opportunities like this.
This only got a 6.5 on Pitchfork though, how could it be album of the week? You guys ought to be banished to the dark lands the sun doesn’t reach for disagreeing with the Fork.
From 1:33 – 1:36 on the Towers vid, the drummer looks like he’s fighting either gastrointestinal discomfort or repressed memories.
Lisztomania up in here.
Cuz they don’t age or something. I dunno, I never read those books/movies.
Must be one of ‘em Twilights.
“Come original”
-that’s what 311 said.
Bah, I hate being a jerkotron, but this list is really underwhelming. Not that it’s Stereogum’s fault– you can’t report on something that isn’t happening. I just feel like 2012 has been kinda lame in terms of big name releases, indie or otherwise. Are all the bands asleep? We’re three months in and the only truly ‘hotly anticipated’ indie record (one that has the air of hype/crossover appeal) announced is Beach House.
Yeah, so not emo.
I don’t really care either way whether Stereogum approves Skrillex for us or not. I’m not a fan but ya like what ya like, I don’t hate. But From First to Last were so emo. I think Tom might be forgetting that “emo” devolved in the 00′s, and no longer just meant Dashboard + Promise Ring. A lot of heavier stuff went under that umbrella, but there were still kids crying their black tears out over FFTL songs.
Listen to the song ‘Emily’ by FFTL and tell me that’s not the very definition of mallcore emo. I bet you at least 15 wrists were slit to this song.
Wow, fantastic baby.
Homer Simpso would hate this.
Scavenger is amazing, definitely my fav off the album. As KFC would say, it is “so good”.
I don’t think he should have apologized. It was understood that he didn’t mean “people who make electronic music are bad”, he was just railing against the talentless canned 4-chord ‘music’ that’s all the rage. I’m actually surprised that the dum-dums who listen to that stuff actually understood the words he was saying.
I just read that thing with the people saying “who is paul mccartney/who is bon iver/ bonnie bear”. I am really sad.
I can’t wait for the new song from Queen Day, “Bohemian Idiot”.
Or Fall Out Boyz II Men with their new track “Sugar, we’re going down on bended knee”
Also, Hot Hot Coldplay.
I wish it had REAL HUMAN HAIR.
Is she singing in Simlish? I can’t understand a word. Love the music though.
I find it interesting and also a little sad that the once critical darling Bright Eyes has been ignored not only on all these lists, but every corresponding comment section. Not one mention of The People’s Key by anyone, critic or commenter! Poor Conor. Now he will be super mega sad.
I misread the title as ‘Betty White & The Roots’.
One can dream…
“I wrote a song called F*** You! / it was all about you / but you still love me anyway”
A lot of the things I wanna say have already been said by other commenters, but I’d just like to expand on Evan’s comment here. The rationale is absolutely correct. With the logic that’s been applied to posting this review, you could just as easily make the next “Album of the Week” the new Nickelback album. In fact it would actually be more eligible, considering that Chad Kroeger writes nearly all his own material, and Miranda Lambert doesn’t. She’s an interchangeable blonde country girl whose songs could have been anyone else’s. It could have been a flip of the coin that put those tracks on her album rather than Carrie Underwood’s or Taylor Swift’s. Until she’s featured as a guest on a Fleet Foxes track, I believe that she and her kind shouldn’t be talked about here, much less lauded with critical acclaim.
But hey, your site, your rules.
#2 looks like Jared Leto from 30 Seconds of Farts.
Well seeing as it’s the People’s choice, always assume the worst will win. So yeah OneRepublic has it in the bag. Dunno why though, they haven’t put out a record in two years.
I’m about 20 seconds into the first song and this is exploding my brain.
(good exploding)


































I was just thinking about this like fifteen minutes ago. Now that indie is a meaningless label and hearing any artist anywhere is no longer surprising, what is the future of the underground scene? A trend I’m noticing recently is the massive deluge of:
- Instrumental producer tracks (like 80% of the tracks Pitchfork posts are producers now)
- Hard, vulgar/radio unfriendly rap
- Super garage bands
And even these genres aren’t completely safe from the clutches of THE MAN. Odd Future and co. are basically household names, producers are being featured with big popstars, and my local mainstream rock station is now playing Japandroids.
What happens when indie is mainstream?