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I produced I am Trying to Break Your Heart. We started that process just trying to capture the making up the album. Director Sam Jones was prescient in his feeling that the sessions that became YHF would be important ones. In retrospect, the whole story looks linear and the events in the film stack up neatly. In reality, we had no idea what was going to happen next. There were month-long periods of uncertainty and head-scratching as we waited for the next shoe to drop. Ultimately, it made for a fascinating story, and, ultimately, a chronicle of art vs commerce.
I feel lucky to have been a part of it, and I’m gratified that both the album and the film remain culturally relevant.