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samoven07
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 0Posted on Apr 4th | re: Deerhunter - "Monomania" & Fallon Performance (31 comments)

You do realize that Halcyon Digest essentially means ‘THIS ALBUM IS ABOUT NOSTALGIA’?

Agree WEC was very interesting though. I’m so excited for them to produce a tougher album, as much as I have listened to HD an inappropriate number of times.

 -7Posted on Dec 5th, 2012 | re: Stereogum's Top 50 Albums Of 2012 (429 comments)

RIGHT. These albums are better than “Shields”. LOL:

15 El-P – Cancer For Cure (Fat Possum)
14 Chromatics – Kill For Love (Italians Do It Better)
13 Godspeed You! Black Emperor – Allelujah! Don’t Bend! Ascend! (Constellation)
12 Miguel – Kaleidoscope Dream (RCA)
11 Tame Impala – Lonerism (Modular)
10 Dirty Projectors – Swing Lo Magellan (Domino)
09 Chairlift – Something (Columbia)
08 The Walkmen – Heaven (Fat Possum)
07 Japandroids – Celebration Rock (Polyvinyl)
06 Cloud Nothings – Attack On Memory (Carpark)
05 Jessie Ware – Devotion (PMR)
04 Swans – The Seer (Young God)

 +6Posted on Dec 5th, 2012 | re: NPR's 50 Favorite Albums Of 2012 (48 comments)

Why the hell is Grizzly Bear being panned everywhere? Way better than Veckatimest and I can’t think of any album besides Fiona’s or Frank’s that I liked more this year.

Grizzly Bear’s “Shields” is such a close second that I wish Stereogum let you vote for more than one :(

Fiona Apple, The Idler Wheel

As great as Frank Ocean’s album is, there’s just no competition. Fiona’s album is so deep, infinitely listenable, and virtuosic vocals + lyrics + musical writing and performance.

It’s been a great year, but as someone who tends to wear good albums out, this is the only one I have been able to continue listening to again and again. Every song is perfect, not a single misstep.

 +2Posted on Nov 20th, 2012 | re: Deconstructing: Pandora, Spotify, Piracy, And Getting Artists Paid (76 comments)

Sadly warm crimes are not as bad as war crimes.

 0Posted on Nov 20th, 2012 | re: Deconstructing: Pandora, Spotify, Piracy, And Getting Artists Paid (76 comments)

Google invested in ContentID because it had to after facing billions in infringement claims on YouTube and other sites. And Google still gets away with murder on other websites, including all the Google AdWords revenue on third party piracy sites.

Google’s job is to do the least it has to do to comply with the law while still profitting from piracy. Google makes money on free content, so why would they lobby to stop that?

The fact is, the U.S. govt could force them to block piracy websites, just like they force Google to block other sensitive sites — searches for classified documents, etc — or just like Google censors its own results (not showing videos of warm crimes on YouTube, for instance).

Google is not some benevolent, or at best, independent operator providing us a great service. They are a company benefitting from piracy and theft of creative works, music included.

 +2Posted on Nov 20th, 2012 | re: Deconstructing: Pandora, Spotify, Piracy, And Getting Artists Paid (76 comments)

I’ve read Stereogum for 8 years and though I rarely comment, I have to say this is the best article I’ve seen posted here yet. Bravo — a great call to action.

The only thing missing, I’d say, is a mention of real legal solutions that could be implemented to stop music piracy. But we don’t have the political will (or perhaps capital) to implement them. It doesn’t help that Google makes billions off piracy and can spend a fraction of that to lobby the U.S. govt.

 +1Posted on May 10th, 2012 | re: Against Me! Frontman To Change Genders (197 comments)

To be clear, I am not for banning gay marriage… my sentence structure needs some help this “morning”. I just don’t understand the strong hatred of NC when nearly every other state has done it regardless of the geography, political leanings, etc. I think what’s angering is America, not a particular state.

 0Posted on May 10th, 2012 | re: Against Me! Frontman To Change Genders (197 comments)

AHHH STOP WITH THE NORTH CAROLINA! They’re the 31st state to ban gay marriage, so in a way, they should be applauded for taking so long. Seriously, even the bluest of states, California, has banned it.

I’m not sure why I’m getting angry.

 0Posted on May 10th, 2012 | re: Grimes - "Nightmusic" Video (NSFW) (34 comments)

totally agree RE: trying too hard. her live performances (granted i only saw her at sxsw where she was exhausted… but she would walk off stage apologizing. what??) and interviews make her seem totally unsure what she’s doing. i guess it produces good art now and then. but it’s weird to enjoy her music and then see her talking on youtube like she’s your needy, under-confident friend who checks her iphone a lot. i’ve stopped watching/listening to anything she doesn’t release in a formal fashion

 0Posted on May 7th, 2012 | re: Watch Drake Join The Weeknd In Hollywood (6 comments)

His Coachella set (weeknd 2) was a “I could take it or leave it” situation. Glad to hear the Hollywood Forever set was better. (Also: interesting venue??)

 +3Posted on Apr 26th, 2012 | re: Album Of The Week: Torche Harmonicraft (103 comments)

LOL!!

 +6Posted on Apr 26th, 2012 | re: Album Of The Week: Torche Harmonicraft (103 comments)

LOL!

 +9Posted on Apr 26th, 2012 | re: Album Of The Week: Torche Harmonicraft (103 comments)

Wait this whole fight is a joke, right? My mind is being blown by the possibility of true irony.

If not, Scott, I hope you are ordering an amazing meta take on “Where’s the Beef” right this second…

 +11Posted on Mar 6th, 2012 | re: Deconstructing: Sleigh Bells (115 comments)

For the second time, reading something written by Julianne makes me feel like I’m reading an Ivy-league admissions essay that crams SAT vocabulary words and “advanced” grammar structures into every sentence just to distract from the complete lack of substance.

I’m not against elegant, sophisticated writing — the internet could use much more — but this is not that. I WANT to read what she has to say, and yet my eyes glaze over from the distracting style.

Style > Substance? Apropos given the subject of the article I suppose.

 0Posted on Nov 16th, 2011 | re: Rihanna Talk That Talk Comment Party (54 comments)

my favorite thing is when hipsters still think they aren’t mainstream in 2011.

 0Posted on Aug 23rd, 2011 | re: Girls - Father, Son, Holy Ghost Comment Party (63 comments)

p.s. i miss the days when stereogum’s premature evaluation WAS the comment party :( bring them back!! (TKOL fucked this all up, didn’t it?)

 0Posted on Aug 23rd, 2011 | re: Girls - Father, Son, Holy Ghost Comment Party (63 comments)

serious question — does anyone think the leak is not how the final album will sound? i don’t necessarily mind it, but the mixing makes Chris’ vocals secondary — or perhaps equal — to the instruments. which is interesting, and i’m not necessarily against it, but i’m surprised — his vocals were so front & center on their other output…. so i guess i’m wondering if it’s a mistake in this early leak?

 +3Posted on Jul 10th, 2011 | re: Watch Radiohead - The King of Limbs: Live From The Basement (37 comments)

haven’t gotten to bloom yet, but is anyone else digging this more than the studio version??

 0Posted on Jun 29th, 2011 | re: Thom Yorke's Secret Fuselage DJ Set Playlist (2 comments)

mixtape vol. 6?

 -1Posted on Jun 27th, 2011 | re: Duck Sauce - "Big Bad Wolf" (3 comments)

amazing. amazingggg

 0Posted on May 11th, 2011 | re: Washed Out Within And Without Premature Evaluation (21 comments)

umm do you ever read this website? It’s called premature for a reason.

 -15Posted on Feb 18th, 2011 | re: The King Of Limbs Comment Party (309 comments)

I dunno, just can’t get into it. Is this just a version of James Blake?

 +3Posted on Feb 18th, 2011 | re: The King Of Limbs Comment Party (309 comments)

Is this the followup to Kid A/Amnesiac in the way that In Rainbows was OK Computer’s “followup”? I’m having trouble getting into it on first listen, which is a great sign I think…