In an age where rap icons are either literally pissing on their Grammy trophies or using their own victory speeches to figuratively shit on them, Denzel Curry stands out as one of the few young spitters who’d actually love to have one. From the beginning of his career, he’s showcased a knack for engrossing aesthetics and an affinity for ostensibly challenging big-picture concepts — a constellation of highbrow connotations usually needed for clueless awards show committees to treat rap like a legitimate art form. By his own account, these are the folks Curry has always looked to impress. “I tell my fans all the time: I’m not doing this just to do it, I wanna win a Grammy off this hoe," he told Miami New Times two years ago. "But it feel like I don’t get recognized for what I do, even though I’ve been doing this for a long time.”
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Denzel Curry’s King Of The Mischievous South Vol. 2 Is A Welcome Break From Prestige Rap
