L.A.'s Chelsea Wolfe composes fractured, noisy, abstract, experimental and exploratory gothy doom-folk that reminds me a bit of Portal Of Sorrow, Marissa Nadler's collaboration with Xasthur. Maybe Zola Jesus, at least in some overall "vibe," when she goes for the windswept. Or, weirdly, the much missed Flying Canyon. Her work, which she's called "spiritual realm funeral songs" and labeled "Estonian ...