There's a reason I bring up Southern dust when discussing Jenks Miller's increasingly ambitious, genre-stretching Horseback, a metal project that notched my No. 9 album of 2010, along with the following: Horseback’s second album offers ambient, minimal, patiently repetitious Southern black metal drunk on imagined emotional and masculine Cormac McCarthy landscapes, the Blue Ridge, those dark Americana elements of Coalesce’s ...