Still going back and forth on that. The first one listed is "Come Together"/"Something," but then "Something" went to #3 on its own, so it seems like not even Billboard knew what it was doing with that.
I'm kinda inclined to just go with the A-sides, but I also don't like the idea of not writing about "California Love."
1. Terror Squad: True Story
2. Terror Squad: The Album
3. Fat Joe & Remy Ma: Plata O Plomo
4. Remy Ma: There's Something About Remy: Based on a True Story
5. Cuban Link: 24K
6. Cuban Link: Chain Reaction
7. Fat Joe: Don Cartagena
8. Fat Joe: Jealous One's Envy
9. Fat Joe: Jealous Ones Still Envy (J.O.S.E.)
10. A playlist of "Lean Back" 14 times in a row
Thank you! No book plans. I have been told that collections of things available for free online don't sell. Also, it's hard enough writing these things; I don't wanna also deal with agents/editors/publishers.
Just top 10. But yeah, it's another new thing I'm trying, mostly because I didn't like the idea of not mentioning "Magic Carpet Ride" at all. We'll see if it sticks.
That's a great story.
The way people integrate people into their lives and let it affect them > pop music (and I LOVE pop music).
Even the worst songs on this list have some of the most heartfelt, glowing YouTube comments from people who remember dancing to those songs at their weddings or hearing them at their grandmothers' houses.
Got it from Rob Sheffield's piece on the song, and I prefer to believe the legend:
https://www.rollingstone.com/music/music-news/hey-jude-at-50-celebrating-the-beatles-most-open-hearted-masterpiece-714736/
I love a whole lot of versions of Bacharach songs, but I don't love the Bacharach aesthetic as a whole. Some of the Dionne Warwick stuff is cool but that whole crushed-velvet lounge-pop thing has never really drawn me in.
My position is: If I didn't know the album existed when I wrote last week's AOTW, then it's eligible for this week's. And since I came up with the damn column and have written literally hundreds of them, I get to make the rules.
Probably too high, yeah, but I'm sentimental like that.
"Stand," which peaked at #6 in 1989, would've also been an 8. Might've gone as high as 9 for "The One I Love," which peaked at #9 in 1987.
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