Comments

We're deleting that comment. I wasn't joking or anything. It was more like "fuck, this poor kid, I can't pay attention to this song." If it came across as sarcasm or anything like that, I'm sorry.
Dude there's a song on the album called "Chthulu." She is not messing around.
In the great art-pop vs. art-rock battle, I will always side with art-pop. Also don't get me started on art-rap.
If someone wants to write an argument for why this is a classic Wu-banger, I will listen. I wrote like 2000 words articulating my position on that YG album. As it stands, I like every song on 8 Diagrams better than this. (8 Diagrams is deeply, deeply underrated.)
From hearing "Bufflao Stance" in 1989?
Weird, maybe my show memories are just wrong. But now they're playing bigger stages, and he has more room to move around.
Figured I'd wait for the American release, but you're probably right.
It would be less annoying if Wild Beasts had ever written a song anywhere near as good as "Wrecking Ball."
This is an awesome idea, but there are a lot of blurry edges there. Like is the Beta Band's "Dry the Rain" a post-Beck single? Or "Novocaine For The Soul"?
Produced by the Dust Brothers in the immediate aftermath of Odelay, busy breakbeat shuffle, DJ scratching deep in the mix. It's not a blatant rip like "Pepper" or whatever, but the influence is definitely there. Also all three Hanson brothers absolutely had Beck-esque haircuts.
I haven't put it on Heavy Rotation because I'm not listening to it very much. Can't speak for the rest of the staff. If it would be possible to Heavy Rotation just the parts that sound like Madonna's Ray of Light, I'd do that.
And also I like Oxymoron better. (Sorry. Not an art-rock guy, really.)
Aberdeen should have a Daniel Bryan day instead. He's still alive and still being awesome.
Damian's kids were in school when I was with him. I certainly didn't see him doing any neglectful parenting, and I'm pretty sensitive to that kind of thing. (Also, people without kids should not judge how people with kids deal with stress or anxiety. You have no idea. Just saying.)
Gotta call it like I see it. All his SNL sketches, to me, were like "Look how weird I am!" And Portlandia seems shrill and obvious most of the time.
Worth noting: 924 Gilman is still around, and now it has a "conscious hip hop night," which yee. If you guys are in town, you should go see Loma Prieta there tonight.
Related: In that cropped Instagram above, they're both sitting next to DJ Drama. Fuck, I should've left that in for pun value.
I don't really get this one and I was planning on writing about Dum Dum Girls, but I like everything Miles says about it here. (Also, don't sleep on that new Pontiak, it's good.)
"Royals" is a really great song and I'm glad it won.
Hey Scott, should I just write the Ozzy obit now?
Comments section! If you're wondering why I love Taylor, that performance was a pretty good example of why.
Get that money, Tegan & Sara!
"The horse is really Juicy J" was also the original ending of the Iliad.
ROBOT-VOICE ACCEPTANCE SPEECH, HERE WE GO
It's nice of Hunter Hayes to give us the first deeply shitty performance tonight; someone had to break that barrier and make it safe for everyone else.
What, you don't think I should've gone with the one split-second where she looked like Sloth from The Goonies?
Hi Claire! (Full disclosure: I telekinetically willed this cover into being just to see if I could get Claire back into the comments section.)
Gucci released like 8 tapes this year that are better than any of those.
No, it's great, but I already had this list locked in.
Man, I totally forgot about that Prodigy/Alc album. Yeah, that was good. The Gangrene album was good too. Sorry, Alchemist. Next year.
Hollywood Undead don't need hope; they have masks and strippers and nonexistant rap skills and trashed hotel rooms: http://vimeo.com/31131433
I also liked how "egchk, what an artist" could be either a good thing or a bad thing, like something Angela Chase might say after seeing 30 Seconds To Mars.
This is literally hours late, but here are my top 10 honorable mentions: Action Bronson & Party Supplies - Blue Chips 2 Ka - The Night's Gambit Pusha T - My Name Is My Name Kevin Gates - The Luca Brasi Story Cut Copy - Free Your Mind Free Energy - Love Sign Meek Mill - Dreamchasers 3 Mikal Cronin - MCII The So So Glos - Blowout Charli XCX - True Romance
I WILL NOT HAVE YOU BESMIRCH SWEET POTATOES WITH MARSHMALLOWS THIS IS TREASON
Listen: As someone who made like $22,000 a year and found room in his budget for 2 CDs a week and had no computer to download music, I listened to every album I bought a million times. I couldn't make it thru that one more than twice. I went from excited to "ugh, jesus, what the fuck is THIS?!?" in like half a song, and that's how I've felt about every single thing they've done ever since. Getting assigned a Xiu Xiu story when I was working Pitchfork's news section was the worst; it was always like "we're burning our pubic hair and bottling the smell and selling the bottles at our merch table" and I'd do nothing but shudder for the rest of the day.
I mean, non-gender-specific toys certainly exist, but as the father of a 4-year-old, it's been pretty nuts to go full-immersion and see how much deeply gendered stuff there still is for kids. It's not like the 80s, when cartoons were clearly delineated as boys' cartoons and girls' cartoons' but you should see the psychic hold that the entire Disney Princess Industrial Complex has on kids, it's crazy. And even if they are selling something plastic, it's at least directed toward physics and inventiveness and important stuff like that.