
Long-ago BTW Cold Cave’s excellent second proper full-length Cherish The Light Years opens with “The Great Pan Is Dead,” one of 2011′s more arresting tracks. Moving outside the DIY bedroom of Cremations and Love Comes Close, the nine-song collection was recorded with Chris Coady (Yeah Yeah Yeahs, TV On The Radio, Beach House, etc.). His presence is definitely felt in the sharper, lusher palette. The greatest shift, though, is bandleader Wesley Eisold’s growing confidence as a bigtime frontman — he chews the scenery, bellowing and strutting like the dudes in Pulp and Suede he said had an impact on the record. (The Cure, New Order, early Siouxsie, the Walker Brothers’ 1978 Nite Flights LP, and Jean Genet also influenced Cherish.) Esold’s joined by main cohorts Dominick Fernow (electronics) and Jennifer Clavin (backing vocal, synthesizer) along with Tonie Joy (Moss Icon/Universal Order Of Armageddon/late-period Born Against), Nick Zinner and Sean Martin (all on guitars), Daryl Palumbo (bass, guitar), Matt Sweeney (bass), and Gae Licata (drums). It does feel like a fuller, more alive band, like Eisold’s found a way to mix his hardcore past with his synthpop present. “Pan”‘s especially great — years of that hardcore, noise, and other experimentation resulting in a perfect pop song.
(Via Matablog)
01 “The Great Pan Is Dead”
02 “Pacing Around The Church”
03 “Confetti”
04 “Catacombs”
05 “Underworld USA”
06 “Icons Of Summer”
07 “Alchemy and You”
08 “Burning Sage”
09 “Villains of the Moon”
Cherish The Light Years is out 4/5 via Matador. (That’s Wes on the cover.) You can read Eisold’s thoughts on the song over at the band’s tumblr. They’re heading out on the road, sometimes headlining and sometimes opening for the Kills:
04/06 – Pittsburgh, PA @ Brillobox
04/07 – Cincinnati, OH @ MOTR Pub
04/08 – Bloomington, IN @ The Bishop
04/09 – St. Louis, MO @ Luminary Center for the Arts
04/10 – Kansas City, MO @ The Record Bar
04/11 – Denver, CO @ Larimer Lounge
04/13 – Salt Lake City, UT @ Urban Lounge
04/14 – Tucson, AZ @ Club Congress
04/19 – Dallas, TX @ Granada Theater #
04/20 – Austin, TX @ La Zona Rosa #
04/22 – Nashville, TN @ Cannery Ballroom #
04/23 – Atlanta, GA @ Masquerade #
04/24 – Washington, DC @ 9:30 Club #
04/26 – Boston, MA @ Royale #
04/27 – Philadelphia, PA @ Theater of Living Arts #
04/28 – Hartford, CT @ The Mill (at Trinity College)
04/29 – New York, NY @ Terminal 5 #
04/30 – Montreal, QC @ Olympia #
05/01 – Toronto, ON – Sound Academy #
05/03 – Detroit, MI – Majestic #
05/04 – Chicago, IL – Vic Theater #
05/05 – Minneapolis, MN – First Ave #
05/08 – Vancouver, BC – Commodore Ballroom #
05/09 – Seattle, WA – Showbox #
05/10 – Portland, OR – Wonder Ballroom #
05/11 – San Francisco, CA – The Fillmore Auditorium #
# supporting the Kills

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Thumb’s UP from me and thanks for mentioning his hardcore past. Didn’t make the connection with American Nightmare and Some Girls even so he was the lead singer for both. They all look the same to me, especially when tatted up, after awhile.
rad! huge step up from the stuff i’ve heard in the past. a few cold cave tracks get played alot at my work and i always thought it was crystal castles with the dude singing or something. judging by the sound of this i will not be making that mistake any more
Not sure I like the new sound, need to hear the whole record to say for sure I guess
I just can’t figure out how or why TONIE JOY/NICK ZINNER would waste there time with this. I can’t even hear them or their style AT ALL. Alrite, sorry maybe I need to hear more. Attention: Anybody that reads this try to locate a SATISFACT record. (members of modest mouse but sounds like gov issue meets new order)…I refuse to believe TONIE JOY even played on this stuff…..I really gotta call him about this one> WTF
Sounds like something that could of come off from Abe Vigoda’s album last year.
It’s a keeper.
Amazing track!!