
“Vessel” is the lead track from Zola Jesus’s forthcoming Conatus. As Nika Roza Danilova suggested on last year’s Valusia EP, the darkness and fog are lifting, allowing for a sharper focus on the dance floor. (It’s no coincidence she’s wearing white again on the cover.) Here:
(Via P4K)
Conatus:
01 “Swords”
02 “Avalanche”
03 “Vessel”
04 “Hikikomori”
05 “Ixode”
06 “Seekir”
07 “In Your Nature”
08 “Lick the Palm of the Burning Handshake”
09 “Shivers”
10 “Skin”
11 “Collapse”
Conatus is out 10/4 via Sacred Bones. The album was produced by Roza Danilova and Brian Foote.
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I’m in love.
This winter will be a good one.
Interesting track, not quite as in love with it as I was the first time I heard the new “Sea Talk” (and the rest of “Valusia”) but it’s certainly made me want to hear more.
She is like a year older than me
What is my excuse for not being so perfect
I saw her recently, and she was incredible. Really really looking forward to this. http://blog.kexp.org/blog/2011/05/08/zola-jesus-with-naked-on-the-vague-the-crocodile-56/
When will new musicians learn how to turn off the reverb?!?!? Please stop ruining music for everyone by “covering up your faults” with reverb! and whilst I’m at it, stop listening to music using autotune. Who are the great vocalists of this generation? Autotune and reverb? Give me a break.
-thoughts after hearing the new Zola Jesus – Vessel, which got shit on by her producer or whoever decided to ruin her naturally beautiful voice by masking it with ten tons of reverb and a dash of delay.
Not to be rude, but if you don’t know that 99% of recordings (including The Beatles, Beach Boys, etc.) have at least a touch of reverb on them, you don’t know anything about recording.
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