James Blackshaw's on a mighty roll. He's released a number of fine albums, but grab 2007's The Cloud of Unknowing (especially), 2008's piano-threaded Litany Of Echoes, and last year's piano-and-string (and etc.) augmented The Glass Bead Game to hear the London guitar virtuoso/multi-instrumentalist at his best. Upping the ante, Blackshaw's forthcoming eighth studio album All Is Falling, his second for ...